Welcome to the world of Fanfarlo.
It’s a sort of understated instrumental frenzy that combines a violin, a mandolin, a glock, a sax, a trumpet, a banjo alongside, of course, the conventional instruments in a way which immediately emulates the drama and beauty of the likes of Arcade Fire and leaves the listener with no misunderstanding about how truly talented the five-piece really are.
This, underpinned with Swedish frontman Simon Balthazar’s vocals sounding like a more sedate and peaceful Win Butler (of Arcade Fire) as he cries out /Why cant they just think like us?/ in a way that is refreshingly simple yet profound. The innate beauty of Balthazar’s delicate vocals are the perfect addition to Cathy Lucas’ faultless violin playing and the lyrics which echo such honesty and a dark rawness that is reminiscent of the likes of Cold War Kids or The Maccabees.
With a headlining tour in June and having already played at SXSW and The Great Escape, Fanfarlo have already began building up a solid fanbase since forming in 2006, no doubt all equally mesmerised by the enchanting layered production of their music.
Fanfarlo has the intoxicating ability to use their charming vocals, precise lyrics and talented instrumental formation to enter the listener and accommodate their desire to be distracted and escape from reality for forty minutes; something that friends of Fanfarlo, the spine-chilling Sigur Ros and Canadian talents, Wintersleep, are similarly renowned for.
Whether it’s the Swedish romanticism, or the natural and low key dramatics, Fanfarlo have an innate beauty that is almost guaranteed to sweep you off your feet with tracks like ‘Comet’ and “Drowning Man”. Step into Fanfarlo’s world, it’s entirely worth it.